Oto by Jeremy

Selected work

A concise selection of projects across film and media, highlighting sound design, dialogue clarity, and mixing balance that serve the director’s vision.

A close-up, cinematic shot of a high-end mixing console in a film dubbing stage, emphasizing the tactile details of faders, rotary knobs, and small LED level meters. Each fader cap is rendered in soft grey plastic with fine texture, sitting on a sleek, dark surface with faintly engraved channel labels. Soft, low-key studio lighting skims across the console from the side, catching the edges of the controls and creating gentle, controlled highlights. The rest of the stage recedes into a subtle, out-of-focus darkness, hinting at large speakers and acoustic panels. Photographic realism, shot from a slightly low, diagonal angle along the fader bank, conveying precision, depth, and the quiet intensity of professional film sound mixing.
A minimalist home page hero background in photographic realism: a dark, neutral-toned studio space featuring a single, elegant nearfield monitor on a stand beside a slim, modern display showing a paused frame from a film timeline, the interface barely visible. The walls are covered with understated charcoal acoustic panels, creating gentle geometric patterns. A single overhead light casts a soft, focused glow on the monitor’s woofer cone, producing subtle, circular highlights and a calm gradation into shadow. The composition uses the rule of thirds, leaving negative space for text overlay on the darker side. The atmosphere is quiet, refined, and introspective, emphasizing listening, detail, and the craft of film sound without distraction.

Story through sound

I shape documentary sound to illuminate intent, navigate production constraints, and craft sonic choices that deepen the narrative without distracting.

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An artistic overhead view of a sound designer’s desk arranged with precision on a dark, matte surface: a portable field recorder with XLR inputs, a small shotgun microphone, neatly coiled balanced cables, a sleek external SSD, a slim notebook with waveform sketches, and a pencil aligned perfectly along its edge. All objects are in monochrome or muted tones, emphasizing form and texture over color. Soft, diffused top lighting creates gentle, shadowed contours and a subtle vignette around the frame, keeping focus in the center. Photographic realism with a minimalist, editorial aesthetic, ideal as a portfolio section background. The mood is meticulous and calm, suggesting methodical preparation for capturing film sound and building a sonic palette.
A moody, close-up macro shot of a studio monitor’s woofer and tweeter, rendered in high-resolution photographic realism. The speaker baffle is a smooth, matte charcoal surface with finely beveled edges, while the woofer cone reveals subtle woven fiber texture under the light. A narrow beam of cool, directional light grazes across the drivers from the upper left, creating a sharp highlight on the cone’s dust cap and a soft falloff into darkness at the edges. The background is completely out of focus and nearly black, isolating the speaker as an icon of critical listening. Framed tightly and off-center, the image feels modern, minimal, and suitable as a graphic motif for a sound design brand.
A meticulously organized film sound design workstation in photographic realism, featuring a matte-black audio interface, dual studio monitors, and a large ultrawide screen displaying a detailed film timeline with waveforms and color-coded audio tracks. The desk is a clean, dark wood surface with a compact control surface and a closed-back reference headphone resting neatly on a stand. Soft, diffused cool-toned light from an unseen window gently illuminates the equipment, creating subtle reflections on brushed metal and rubberized knobs. The background falls into a smooth, dark blur, emphasizing clarity and focus. Shot at eye level with a shallow depth of field, the composition feels minimal, precise, and professional, reflecting a high-end film mixing environment without any visual clutter.
A dedicated film re-recording mix room captured in photographic realism, seen from the rear looking toward a large, neutral-gray projection screen frozen on a film still. In front of the screen sits a clean, dark mixing desk with a compact control surface, keyboard, and a pair of substantial front speakers. Side walls are lined with understated broadband absorbers and bass traps in charcoal fabric, forming a symmetrical, geometric pattern. The only light comes from dimmable recessed ceiling fixtures, creating a soft halo over the console and leaving the rest of the room in gentle shadow. Shot with a wide-angle lens, sharp focus throughout, the composition feels balanced, cinematic, and deeply focused on the listening sweet spot.