Oto by Jeremy

Selected Work

Explore select projects that showcase optimized sound design and immersive mixing across genres, from dialogue clarity to immersive ambience and musical integration.

A moody, close-up macro shot of a studio monitor’s woofer and tweeter, rendered in high-resolution photographic realism. The speaker baffle is a smooth, matte charcoal surface with finely beveled edges, while the woofer cone reveals subtle woven fiber texture under the light. A narrow beam of cool, directional light grazes across the drivers from the upper left, creating a sharp highlight on the cone’s dust cap and a soft falloff into darkness at the edges. The background is completely out of focus and nearly black, isolating the speaker as an icon of critical listening. Framed tightly and off-center, the image feels modern, minimal, and suitable as a graphic motif for a sound design brand.
A meticulously organized film sound design workstation in photographic realism, featuring a matte-black audio interface, dual studio monitors, and a large ultrawide screen displaying a detailed film timeline with waveforms and color-coded audio tracks. The desk is a clean, dark wood surface with a compact control surface and a closed-back reference headphone resting neatly on a stand. Soft, diffused cool-toned light from an unseen window gently illuminates the equipment, creating subtle reflections on brushed metal and rubberized knobs. The background falls into a smooth, dark blur, emphasizing clarity and focus. Shot at eye level with a shallow depth of field, the composition feels minimal, precise, and professional, reflecting a high-end film mixing environment without any visual clutter.

Sonic brief concepts

A focused exploration of the assignment: narrative cues, dynamic range, and texture. I craft soundscapes that support pacing, mood, and storytelling for short films.

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A dedicated film re-recording mix room captured in photographic realism, seen from the rear looking toward a large, neutral-gray projection screen frozen on a film still. In front of the screen sits a clean, dark mixing desk with a compact control surface, keyboard, and a pair of substantial front speakers. Side walls are lined with understated broadband absorbers and bass traps in charcoal fabric, forming a symmetrical, geometric pattern. The only light comes from dimmable recessed ceiling fixtures, creating a soft halo over the console and leaving the rest of the room in gentle shadow. Shot with a wide-angle lens, sharp focus throughout, the composition feels balanced, cinematic, and deeply focused on the listening sweet spot.